Dear Readers,
It is hard to believe that we are coming up on the anniversary of the magazine's inception! It has been such an honor to publish so many wonderful poets! I hope you enjoy this new issue as much as I enjoyed putting it together for you! Thank you again for taking the time to read this journal and for helping to create a commune where we can all come and drink in words.
Sincerely,
Heather Ann Schmidt
Sarah Ahmad
Sabotage
Conspiracy without the local hands
Carried out and delivered
Acquired collusion breaks down
Suffering the uncontrollable reaction
Wept into the match-box
Confession of a pending act
Imprisonment of the destroyed pieces
Serving the persuaded entourage
Transfer that benefits the question
Dismissal of pleas unanswered in failure
Inability to examine disasters
continue to offer the final prayer.
C.B. Anderson
Drift
Coiled light, the bindings of an afternoon:
panoptic secrets still too young to share,
all borrowed from the vacant annex at
the wax museum. Flowers having sex
with one another, bees the chaperons...
her patience toiled inside the empty cup
in front of her, contained for now, but just
a sigh away from mounting past the brim.
So would he come, or would he stand her up
as she sat waiting there? And if he showed,
would there be music, promises, and frank
appeals to higher purpose? If there were,
then would discordant notes or broken vows
or tainted motives stain the air? And was
he real, or a mere figment of his non-
imagined prestidigitation? Could
she live without a future as for years
she'd gone about her life without a past?
Though not the measure of a perfect day,
much better had she faced unquestioned answers.
The curdled clouds pile up in hard relief
against the limpid blue, but underneath:
their edges soften in a drifting haze
that gathers hour by hour; and just a tease,
gray filaments of virga nearly close
the distance from the livid nimbus bruise
to insubstantial world below, before
vanishing in the drier air -- not lost,
but held in escrow till they reappear,
unsummoned, droplets on a cheek unkissed.
Bob Baker
Sandy Benitez
The Fear of Wolves
Mothers always worry
for their children.
But the fear is different
when it comes to daughters.
Will she love her skin,
have self-confidence, be
independent, or trust herself.
The greatest fear is the pack
of little boys circling the
playground. Wolf cubs unaware
of anything but play and mock
snarling. Their claws and
canines sharp but unassuming.
One day, that will all change.
Once they mature, catch the scent
of a woman on a careless breeze.
The wind will taunt with vanilla
musk, lavender, and wild strawberries.
But the most enticing scent will be
the pink peony between her thighs;
bleeding its nectar as it blooms.
All That Remains
(for Sophia Rose)
I bled in so many ways that day.
Everyone bleeds but only mothers
hemorrhage. The pain never seems
to go away, no matter how much
motrin the doctor recommends.
It's been 12 days since sorrow
reintroduced herself to me.
I know her name by heart this time.
While the world mourned the loss
of Farrah Fawcett and Michael Jackson,
I cried in silence. Same shock.
Disbelief. Different reason.
I waited for the clock to stop ticking.
To feel a flutter. A baby's cry.
But there was none. I yearned to hear
her heartbeat again; a hummingbird flapping
its nervous wings. My womb her flower.
She was not just a fetus. Non-viable.
Sophia was my child. A little girl
who would never blink or blow kisses.
I only knew her for 17 weeks.
God created the world in 7 days.
Chaplain Teresa told me that God is love.
And that is all that remains.
Harry Calhoun
Sleeping on the couch
I could smack every pillow
beneath me tonight
and curse every black cloud
that will rise tomorrow morning
but we argued
and while the nimbus threatens
inside us I am above
smacking and want to be
above cursing. The pillow beside you
is where my head wants to be
just not where it is right now,
but the thunderstorm intruded.
It has always passed and
I pray and write this because
without you I have
nothing
left to do
Horrorshow
when I was thirteen my parents
would let me stay up late
watching Chiller Theatre
and one night at 3 a.m.
just near the end of the double feature
just as the werewolf was changing
a cat jumped onto the sill
outside the window and yowled
and I almost jumped out of my skin
forty years later I’m driving home
and my cell phone rings
and my mother is dying
and two days later is dead
and so it goes, cruising along
aware of the horrorshow around you
but mostly able to ignore it or pretend
it’s happening to someone else
until something jumps into the window
or the phone rings at rush hour
and suddenly you remember
that real horrors are the reasons
they make movies
and the element of surprise
from the trivia of the cat’s appearance
to the enormous oversight that nobody told me
my mother was ill
can startle you, shock you,
even make you nauseous.
Wildfire in spirit
last night my black Lab and I sat
under a bright full moon on the same deck
and together sniffed at a pitchy plastic scent
in the air
I woke this morning
the TV said the odd smell was from wildfires
near the Carolina coast, near the extinguishing ocean
and borne on freaky winds
so Alex and I sat on the deck
in the sultry smoke of August
early morning darkest since last October
breathed deep and tried to see
beyond the lawn into the darkened trees
it was good to breathe clean air
we experienced the wildfire without harm
sniffing it was like sensing a ghost
Youth meets the growth toward old age
briars snagging our ankles
stickers stuck in our socks
we dance on, removing the tiny barriers
tripping and slipping up the hill
to gather berries
now the overgrowth makes it hard
to reach and pick the fruit
but we keep trying
everything is still snagging
and tripping but
we have learned
to dance around it
and oh how we dance
and not just around briars and brush
and not just around death
life
finally
we have learned
to dance
with you
I forgot to make her happy
Wine has its alcohol,
subsumed at its best in an avalanche
of flavor and nuance and change
and I became and we became
pure alcohol that without the sweet
impurities became tasteless
and toxic and I forgot
my equivalent of the winemaker’s craft:
balance, the alcohol more a side effect
of the fermentation, the beautiful craft
of bringing out the happy glow
in the cheek of the fruit
Nicelle Davis
The Tree Judas Chose
was some ornamental thing—shape of a kidney—flowers veining over
its short and red-twisted trunk. Spent his
morning watching the long
tongued carpenter-bees
suckle its blossoms.
As the Redbud wept its violet blooms, he caught the drops
in his mouth—bruised their petals with his
teeth, searching for that hushed
light. Ate until his
stomach ached
from the bitter juices. Lips stained blue, he began to vomit
a mellifluent river. The ground softened by his
currents, turned to flesh. He built a body
from this golden earth— a face
that resembled Jesus.
Before he could kiss the honey lips, a swarm of flies began
to drink the shape away. Their wings shining
like silver coins tossed into the air. He
devoured them in an attempt
to taste sweetness.
When he jumped, his soul broke into a thousand pieces—an army
of snakeflies humming—a chorus of apologies dying
in small increments—like a lesson in letting go
learned one fall at a time.
When I knew / I love you—
My aunt paid for the Honeymood suit at the Ramada Inn—
its chlorine Christ-
ened whole-pool and hurricane jets kicking up the sent
of disinfectant
as our Legs, high stilts, held the house of our naked above
water. The only
time of my wedding I felt self-conscious of the bulge—twisting
gut, baby,
more excited for us to have sex than I, shaking, branch-armed—
the push of birds
migrating in the shape of trees—shadow of approach. We drank
soda-pop
from flutes to simulate adulthood. I wanted for you to want me
separate from child,
while child wanted past me to you—my stomach rippling in
response to
the warmth of your hands.
Morning after, disoriented—
lifting the covers I snuck into the adjacent room to levy my own
reassurance that all-
things can be controlled. A mound of bodies stacked and pulsing,
screaming at
the insurmountable possibilities of pleasure, my favorite fantasy—
but—instead
was you with every woman brought up in conversation. Outside
the promise
of rain was spoken by thunder—a sincere vow to strip mortar out
from walls.
Fetus rolling in the waves within me—tempest. Mounting threats
—world about to
come down—I felt the touch of weather like a thing fresh born.
Ryan Fox
THE OLD MAN AND THE STREAM
As I drive home there are many sounds, but I hear nothing.
For I am in deep thought, thinking of the man who made me.
I think of him often, but today more than others.
I pull along side a stream, shut off the engine of my car and exit.
I step on the mud-covered embankment and inhale the aroma I have missed.
To many the smell of muddy waters and fish remains are foul and grotesque.
To me it reminds me of the Old Man in his glory.
I gaze off into the creek and I see him as clear as day.
The water rises up to his waist, while his hat slightly covers his eyes.
His hanker-chief is tied tightly around his neck absorbing beads of sweat that have
traveled down from his brow.
He reaches into his vest for his daily dose of cancer, when his rod bends into an arc.
As he reels in the beast, I whisper: “I miss you.”
As the wind picks up my body becomes numb with Goosebumps, and I say,
“I love you too.”
“He is with me.” I say to myself as I bid farewell to the waters.
I head for home in silence passing the scenery he may have seen on his “Farewell tour.”
Tears come to my eyes but I don’t cry.
Instead I smile and laugh, because today is his birthday.
For his gift I show him how strong I have become.
He is with me whenever I need him, and having him there brings me happiness.
Howie Good
LEFT LANE MUST TURN LEFT
There was a time I might’ve enjoyed the tang of truck
exhaust following me home, or the boarded-up windows of a
discount liquor store. Then tick-borne diseases in fitted
choir robes climbed down from the scaffold and disappeared
into the crowd. I sat on the curb heartbroken. In theory
every sequence of moves ought to be reversible. But
somewhere it’s always the summer after mom died, and
raining, and the rain is passing notes to us through a
slit in the ground.
WHAT THE TELEVISION SAW
Fire splashed up at us. Please don’t yell at me, I said.
No amount of coaxing could get the canary lying on the
bottom of the cage to sing. I’m not yelling! she said
loudly. What looked like snow or ashes were scraps of
paper on which good deeds had been recorded. The fireman
remembered it as a turquoise building, with its pants
around its ankles. Guns sang. Someone covered the holes
in the screen with electrical tape, but night still got
in. We held each other. The fireman raised his ax. The
television stared back at him in awe as a crown of flies
revolved on his head.
REPAIRING THE WORLD
Out on the jetty, it’s suddenly evening,
the Atlantic as jittery as a tentative apology
and the sky beginning to bruise.
I close the book I bought in town at Tim’s,
a used life of Maimonides.
Repair the world, he commanded us,
but the gray gulls swirl upward,
dead souls caught in a spiral wind,
and in a sudden hurry, I leap
from rock to dim rock toward shore,
where, by now, it’s also too dark to read.
Carol Lynn Grellas
Recollections of Summer
For breakfast we’ll lift the birch
boughs and see a deity among
the leaves. Me and you
beneath a veil of sunlight─
a cryptic message like beauty
in the watercress or the way
her casket marked an epiphany
amid opium and lace. I saw Mary's
face when you titled your head
and said, “If we’re not careful
we could fall in love again”.
But I’m a prisoner quarantined
in dreams where secret prayers
are born. It wasn’t easy to save
you. You were always Cleopatra,
threading grass between your teeth,
but you never taste the lightness.
I hear the peacocks cry; their wings
hidden between the magnolias.
It’s unnerving here, inside a little
patch of sunshine where this window
makes me think of you and the wind
just another voice saying goodbye.
Cruel, is the memory of candles
already blown and sitting here
somewhere beside you where my
view has turned to earth.
Poet Song
You are the sleep that finds the night
and all of night that lifts to day, you are
the way from here to there, with love
inside a Sunday prayer. You are the book
all ribbon-wrapped with whispered pslams
heard everywhere, beneath the tiny maidenhair
you are the parsley growing free,
you are lost and found in me, before a wingtip
brushed the sea. You are the shades of daffodils
with trumpets flared on golden hills
you are the blooms on windowsills
and porches trimmed with sconces hung
with clappers chiming one by one
you are the doorways in and out,
a hundred poems to write about, uncountable
trees in camphor green with fireflies glowing
in aubergine. You are the labyrinth of hide
and seek, you are my only winning streak
You are the sparkling crystal bowl
that holds a sip to cleanse my soul.
Robert Henry
Underwater and Breathing through Straws
(for Clint)
He couldn't afford cotton swabs
and if you've ever tried to clean
your ears with a kitten's tail, then
you understand his frustration.
But it wasn't dirty ears or lack of
money or even burning scratches
from pin prick claws.
It wasn't even the dusty noodles
falling apart as they boiled.
It was the grasping at stardust,
And coming back with tufts of
nothing by the handfuls.
---
Currently Untitled #6
He daydreams about
flowing hair, and
how she twirled
with bubble wands.
She's lying beside him,
focused hard on
the gaping
pupils,
trying to watch
his soul
from the
outside.
Whispering,
"Does it die with
the body? Is it
dead already?"
He coughs blood
on her glasses
and she
blinks.
Christie Isler
Seconds
You don’t know it, but I save the notes you leave
Soup in the fridge, sandwich fare on the counter
See you tonight, love….if I were younger I would
scrapbook each one, written on the backs of waste
paper and receipts. Now I fold and file into pockets
where I might find them again, as collateral. See
you tonight, see you later, see you soon. Love.
This time, I do not hover by the door. I listen,
from rooms away, for the click and the grind of
lock mechanism gears, the gush of the door on
the floor, of you making true. See you tonight,
see you later, see you soon. Love. In the breath
after the click and gush, your notes take flight, like
paper cranes. You are not the soup or sandwich,
or the paper promise, you are a rising hope that
the second is not the first and will always See
You tonight, see you later, see you soon. Love.
Shawn Sundance Leckey
Summer Seed
As the brave sunflower
Shamelessly lowers its head
And takes a death bow
The sun maiden’s song
Lulls into the last pentameter
Warm breeze changes
Golden days fall
And sun lovers
Begin to weep
The winter witches enslave
Brutal harvest plows
Scavenging and tilling down
The forgotten
Breakfast with Merrick
A cool late summer breeze
Pulses through the window screen
In the hour when indigo
Begins its trek westward
The sleepy eastern horizon
Dawns a soft red glow
Merrick is awake
Babies speak and gestures
Say its time for nourishment
I prepare fruit and cereal
He begins to feed himself
A moment later
He bites the cheerio
And pushes the other half
Into my sleepy mouth
Carla Martin-Wood
When I was Liberty Moonbeam
When I was Liberty Moonbeam
gypsy-skirted wonder
love beaded barefoot child
of morning gloried flowers
I wore a clover crown
plaited into red curls
and I ruled
strawberry fields of forever
with a whole tribe
of sisters and brothers
who believed
in tambourine tomorrows
love, peace, freedom
and Alice B. brownies
even our heroes
falling in the wake
of assassins’ bullets
and a war that wouldn’t go away
didn’t dull the optimism
of every tie-dyed sunrise
when life was a summer
of love in that enchanted Wood-
stock of a new Tree in the Garden
we were out to change the world
with our brave new promise
swaying together in mystic unity
to Pearl, who sang down power
with her whiskey colored voice
as Jimi’s guitar
shot electric through our blood
and we could overcome
anything
today at the supermarket
I park in the handicapped space
knees not what they were
see Smack Jack Jones
old head still grows his own
grey hair flowing half-way down his back
he grins at me, remembers
when I was Liberty Moonbeam.
A Pacifist Visits Arlington to Explain
"Gonna lay down my sword and shield/ Down by the riverside/ Ain't gonna study war no more."
-- Down By the Riverside, Traditional gospel and protest song
Barely September,
and the prematurely fallen
skitter in brief review
’cross diligent grass.
Golden, they are
and too soon leaving
barren arms
of sycamore and oak.
I never marched to war,
but marched against it;
yet, here amongst cold regiments of stone,
stand humbled
by these thousands of the fallen,
who came to peace at last
through gates of war.
I honour them,
though told I had no honour,
who proudly marched with signs
instead of guns
whose battlecry was always
Bring them home!
They never knew
I loved them, every one.
Nor knew my tears
each time a soldier fell,
seeing it needless loss,
a bootless hell,
vexed by the mortal cost,
and that this world can't coexist
in peace.
Brave soldiers
in a cause that was not mine,
I pray you each held close
a thing divine,
before death closed your eyes,
a thing you loved
more than flag or country,
or frail life,
that where you are
you study war no more.
Nicole Mayes
Those Days
I miss those oh so simple days…those I can’t wait to get out of school & get out of these school clothes so I can go outside & play days…those I rock rough & tough with my two afro puffs & my one braid on the side days
Those mama used to pop me on the knuckles with a brush when she was doin my hair cause I wouldn’t be still days
Those red light green light, duck duck goose, simon says, mother may I, hid & go seek, and tag days…those bubble gum bubble gum in a dish, no Way am I being it days…those damn…I can’t wait to grow up & move out on my own days…those never felt alone cause there was always someone there days
Those I’ll lay down but no way am I closing my eyes & takin a nap days…those chasing the ice cream truck down the block days…those it’s too hot so we gotta take the cap off the fire hydron just to get the block popping days
Those waking up early on Saturday mornings to watch cartoon days…those I can’t wait to go to school to play Oregon trail days…those no belt today go outside & pick a switch days…those never thought I’d miss those days
Those days…when we used to play power rangers on the playground & I always had to be the purple ranger…I used to be pissed cause they always made me be a ranger who wasn’t even real, but now would I wouldn’t give to be back at lebaron on that merry go round invisible sword in my hand being the purple ranger again
Those days…like those days when I used to be carefree and fearless…like sitting on the roof of our two story house in Flint when I was like six & somebody snitched & mama came up stairs and beat the shit outta me
Back when the only thing I had to worry about was beating doctor robotnic so I could move on to the next level
Those days…I miss those days when the magic 8 ball & mash told my entire future…I’m still waiting on my mansion
I miss those oh so simple days…like as simple as writing on a piece of paper do you like me?...check yes, no, or maybe & passing it to your crush & him passing it back after he checked maybe, which you were consent with cause that was as good as yes
Those days when captain planet was the hero & you just knew that he was gonna take pollution down to zero…those days when I couldn’t wait for pinky and the brain to take over the world & it was obvious that Patty Mayonnaise should’ve been Doug Funny’s girl
Those days when I just knew that me & K-Ci were meant to be & “Forever My Lady” was all about me…back when Bel-Air was the place to be & Will Smith was the prince to see
Back when Nickelodeon used to be the shit with…Allegra’s Window, Gullah Gullah’s Island, Camp Walla Walla, Rimba’s Island, My Brother & Me, Cousin Skeeter, The Secret World of Alex Mack, Are You Afraid of the Dark, Clarissa Explains It All, Hey Arnold, Rugrats, & All That
Those days…like if I could just get my hands on a time machine, the only place where I would want it to transport me would be the 90s…jus so I can be a kid again…because in hindsight…like Bryan Adams said…Those were the best days of my life
Eric Miller
Cinema
On a palette of swirling black, white,
and gray images, a parade of actors
and actresses march and carry me
off to a former time.
Some I have never seen; others I saw
in the twilight of their careers. Yet,
there is a comforting familiarity about
them all, even if I am watching them
for the very first time.
These are the stars on whom the eyes
of my parents shined. It was about them
and
the characters they played that my
parents spoke with an affinity filled with
excitement and appreciation. I see my
mother, happy and animated, as she
recreates her evening out for me.
I know that I immerse myself in these old
films, not so much for the films themselves,
as much as I enjoy them in their own right,
but for the memories they stir of my parents,
memories which help me appreciate the
influence they had on my life: my thinking,
my mannerisms, and my regrets.
These swirling black, white, and gray images
of early Hollywood are my personal Rorschach
inkblot test.
Sergio Ortiz
Topography
this is my story
and place of birth
a wheelchair
a body wrapped in a sack
a childhood jerked around
like an unwarranted curse
and the stubborn useless desire
for a pair of tailored hands
climbing up my thighs
Marc Pietrzykowski
Following Ghosts Upriver, 2
Grinding up through the Cumberland gap
in a rented panel truck
stuffed with boxes of wine and oil,
umbrellas, socks, all the detritus
plucked and condensed from
the Kuiper belt of objects
drawn into orbit by the force of our habits
and our habits’ habits;
grinding up from Atlanta
and its nest in the piedmont,
from a New City full of nothing
but a surging tide of options
and derivatives, upon which floats
all the usual trophies desired
by souls who believe money
the fruit of all good. Atlanta is no
sprinting maiden stopping
for golden apples, nor is Hippomenes’
golden youth alive in the sun;
no, it is there, in the stall
at the edge of the crowd,
the one selling souvenir fruit
painted gold, and silver too—
that is where Atalanta lives,
and she carries water and food
in to the merchant, suffers his rapes
and belt, dreams of killing him,
taking over the stall, bronzing his organs
and placing them among the wares…
And so we grind up out of her lap,
over the piedmont, through the gap
into Tennessee, the same verdant, endless
ripple of ridges dusty, pocked soldiers
once stumbled home over,
bred between, built clapboard churches
and radio towers upon,
learned to sell fireworks and horses along...
the truck rocks and strains going up,
rocks and hums going down,
lulls us both but we are together
in America and so each take turns
jarring the other awake. On the plateau
we nod at horses dappling the late
afternoon fields, listen
to preachers shouting about God
and Liberals, about Just Rewards
and Welfare Queens, about the many
Righteous Wars they believe themselves
to be fighting. Night is sudden,
or we missed the last light wink off,
and the trucks take over, headlights
meld into serpents, erupt from
behind crests ahead, blast the interior
of the truck cab and drag boxy shadows
along your sleeping face. Alone
in America, on our way home, Kentucky
and Ohio and Pennsylvania
announcing themselves
from the shoulder, spreading varieties
of highway greenery and cardboard hotels
before us, we have only to stop
and stretch out beside
a gas pump, watch aging motorcyclists
adjust their pants, offer
money to the young cashier, her face
a coiled snake ready to strike,
to understand: we are not alone
in America, or anywhere else;
we are not even ourselves,
but then we get back in the truck
and begin to move again
along the road, to forget
that you and I are fictions,
and then faith creeps in like mold
and the stories start to tell themselves,
and we are: almost there,
hoping we have left behind
Atlanta, the piedmont, all the things
we once drove toward.
The child
cries out in the night not
to see if his mother still exists
but to remind himself that he does;
so it is with the highways
of America, each car a cozy bed
sliding over monsters too slow
to catch us, every mile
another cry meant to dispel
the blind and murderous night.
Thank You For Showing Me The Way Home
--for Ashley
There's this man, and he's telling us about
another man whose memory was blasted
apart, every six seconds he restarts, the world
is new and it's 1956, because it started then,
his endless loop.
The story sets me sprawling along
fevered byways, neuronal speculative
storms, impossible things, like:
how could it ever
come to pass
that I no longer recognize
your face, in summer slanted light,
whispering to me, smiling softly?
My own brain is already damaged enough
from love that I cannot even think it,
I may as well fail to recognize my own
body surrounding me.
And so, because it may, in fact,
come to pass that my brain is blasted
and left in less exotic shreds, I've come
to offer you
these words--not much, I know,
but that's what I have to give, and before you
were my life I had
not even such a little thing
as a poem
of love.
Derek Richards
homesick on kelly street
the scent of rain on hot pavement
is the open window aroma
of kelly street
where her wounded perfume
continues to vibrate off the pillows
where an empty fifth
of cheap whiskey
rolls lazily across the floor
the maple-tinged lipstick
of a french quarter prostitute
stains the gallon of milk
souring in the refrigerator
a reminder of lost walks
filthy tongues
tasting of loneliness
and where is the symphony of sirens
bouncing sharply
between alley walls?
where is the cool shine of a switchblade
gripped by nerves
thrust into a caress against the weak skin
of trembling throat?
the stutter barks of wayward dogs
serve as beacons for the starved
a meal still fresh
and disguised as trash
i sort through her old photos
a life preceding kelly street
long arms tan and clean
my eyes remain tired, dry, red
blood fiction
our mother never loved you.
so you decorated streetcorners,
my leather jacket
jesus christ
of miracles, cigarettes and pretty girls.
i would point to you
that's my older brother,
he's tough, cool,
everyone loves him
except our mother.
she never taught him manners,
how to tie his shoes.
never fried him bologna with mac and cheese.
so you wrote poetry about the hustlers
and junkies and thieves,
the jazz of winter saxophones
and summertime cannibals.
i would read your words and think
that's my older brother
he's smart, deep,
no one else deserves him
except our mother.
she never got to name him,
argue with his lost soul.
never offered him direction
with addresses of home.
i always wanted an older brother.
you were perfect.
you never existed.
Kimberly Ruth
Unfortunately, it is never yesterday
Yesterday I met my husband in a bookstore.
In the poetry section.
We talked about truth-
filled words of a man with two
names and how cool it would be to live
twice.
He invited me to join him
for a cup of coffee and he confessed
that he did not know the answer to war.
It was raining outside.
He pointed out a puddle on the ground
and we fell asleep talking
as silent figures made love.
Today, I walked out of a bookstore
swatting at a fly.
Christina Querrer
On My Fortieth Birthday
In forty years the world did not transform
on my account. It continues to revolve
on its foundation, plodding inconsolably along.
I thread my poems into its seams, hoping
my sutures will keep. At times
it seems too much, the overflow
of anguish: tsunamis, earthquakes,
volcanoes. It might as well be the rapture
and I might as well have gone with the sinners,
dealing with stolen property, selling my body,
murderous ploys against myself.
The hands that planted, the body that loved—
all metrically defined by unconscious
celestial ordinances. In forty more years
I hope the rainforests will still be wild
despite all this anguish and thunderous waterfalls
rouse the silence and men humble
themselves to its willfulness, as night and day
humble themselves to each other
all in sequential order. In forty more years
may I continue to burn sage for my worries,
eat berries covetously and chant during
rainstorms. When I depart, may I mourn
my everyday clothes.
Louisa Spina
OCTOBER VALENTINE
Trace the steps of death
All the way
Back
To the cage
Where life squeezes you into flesh
Pressing memory
Like an iron
That burns
Desire.
Checking for a pulse?
This tone has flat lined
Into the future.
Ready for
The Quiet Sacrifice
Hurry now
the sun is racing up
toward the sky line
rose pink
your flesh
crimson
like your blood.
I hold you
as
rosary beads
of perspiration
pray down the sides
of your face.
Surrender.
Your are mine
forever.
Free again.
To love the way
You breathe
and
loving you, loving this
I am hungry again.
Tender and warm
I like my steak grilled
Just a flash
Of fire.
Searing life.
No animal can challenge
My appetite.
Tooth and nail,
I WILL find you.
A cross if you choose,
Or we can just
Swap tents.
MOTHER VISITS IN OCTOBER
The wind was busy
slapping summer against
my window
all night
Autumn drove her
green
to the curb.
While,
Nature’s guardians
frisked her
for any contraband.
Orange and yellow
Red.
Her cheeks flushed,
As she turned her back
In defiance of her mothers hand.
Andrew Taylor
Colour Me In
Cassettes made
together alone
you’d sit on the ship’s chest
phone to ear having cooked
smoking relaxing a natural position
your perfumed room
a nest a sanctuary away from
domestic strife
Stevie Nicks on your mind
she’d have coke blown up her arse
borrowed sweatshirt Royal Corps of Transport
borrowed denim Levis
small feet painted nails
tucked under
I’d read about Damien Hirst
in The Observer magazine
together yet alone
until gone midnight when
we’d share a drink
you’d take the pen
and
colour me in
Double Yellow
Substance 1987 River Dee the bottle green MG
walled city tidal charts in back pockets consumed
by season songs a need to be found reassured
rescued driven away from childhood countryside
to light filled one-way systems seeking other rivers
where we’d row peaceful in the gaze of youth turning
photographed hand in hand parked on double yellow
lines skipping smiling ripping parking tickets into bits
Shellshock 1987 Albert Dock city fringes token gesture
Dock Road driving back to Bootle lunchtime Hugh Baird
knowing the role he played dual carriageway traffic lights
South Park War Memorials glassed basketball courts walks
to the Strand meeting Jonny fresh from Building Studies
second-hand ‘Power Corruption and Lies’ 19th birthday
Llandudno heart breaking naïve guesthouse windows lit
by carriage lamps pier battered by the sea garage forecourts
sanctuary before the 24 hour opening age chocolate Coca-Cola
4 Star Queensferry 1970s traffic jam the turn for Wales
1963 1986 counting stars canal bank escapades 4.00am light
enough for morning walkers Tithebarn Lane route home fresh
dew coating The Delph St Thomas’s salmon coloured sandstone
lanes awoken by hedgerow birds tales of newspaper delivery ink
stained fingers early morning lone time same faces same places
walks along The Pads to the Old School cabbage fields
undeveloped Rainbow Drive unable to leave for the single bed
for you to drive through the racecourse and back to Bootle
Serena Tome
Play Date
I forgot to pay the light bill.
Darkness slowly begins to walk across the room.
Strangely, a little girl appears.
We light candles,
drink tea on the patio,
play in the rain,
and ignore the dirty dishes in the sink.
The electric company says my power will be restored.
I feel sad.
I fear we will not see each other again until I am old,
when I become her once again.
***
When Shadows Dance
I walk along a sidewalk,
whistling in concert with the wind,
as leaves sweep against my feet.
Day and night change shifts
as shadows dance around me.
I wonder if death will come this way.